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	<title>Resmi Görüs</title>
	<link>http://anibellek.org/en</link>
	<description>Just another WordPress weblog</description>
	<lastBuildDate>Mon, 04 May 2009 12:28:28 +0000</lastBuildDate>
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	<language>en</language>
	
	<item>
		<title>Socially Disorganised</title>
		<description><![CDATA[February 19 – March 21, 2009
Experimental Art Foundation
Lion Arts Centre, Adelaide South Australia
Artists:
Halil Altindere, Yu Cheng-ta, Jordi Colomer, Daniel Guzman, Minouk Lim, Ahmet Ögüt, Wael Shawky, Kuang-Yu Tsui, Nasan Tur, Matthias Wermke
Works in the Exhibition:
Halil Altindere, Miss Turkey, 2005
Yu Cheng-ta, 2008, Ventriloquists - Introduction, 2008
Jordi Colomer, Anarchitekton, 2002-04
Daniel Guzman, New York Groove, 2004
Minouk Lim, New [...]]]></description>
		<link>http://anibellek.org/en/?p=696</link>
			</item>
	<item>
		<title>Placebo Effect</title>
		<description><![CDATA[
Placebo Effect
November 6. - December 18. 2004
Sparwasser HQ
Offensive für zeitgenössische Kunst und Kommunikation
Schwedterstrasse 36 A
10435 Berlin
Artists:
Köken Ergun, Berat Işık, Ahmet Ögüt, Erkan Özgen, Serkan Özkaya, Sener Özmen

Works in the Exhibition:
Video Program
Exit, Sener Özmen, 2003
Stop! You are Surrounded, Berat Işık, 2004
What a Lovely Day, Ahmet Ögüt, 2004
Adult Games, Erkan Özgen, 2004
Our Village, Sener Özmen, 2004
The Turkish [...]]]></description>
		<link>http://anibellek.org/en/?p=683</link>
			</item>
	<item>
		<title>Interview with Hale Tenger [1993 - 1996]</title>
		<description><![CDATA[The text below is from the book “Mission Impossible”, Galeri Nev Publications, Istanbul, June 1997, translated from Turkish by Fred Stark, edited by David Frankel, Zeynep Tenger
Part one of this interview was done in the spring of 1993. Three years later, using a transcript from those tapes and trying to remain faithful to the flow [...]]]></description>
		<link>http://anibellek.org/en/?p=681</link>
			</item>
	<item>
		<title>Where art worlds meet</title>
		<description><![CDATA[Text of Talk at the International Symposium  Where art worlds meet: multiple modernities and the global salon, December 9-12, 2005, Istituto Veneto di Scienze, Lettere ed Arti, Palazzo Cavalli Franchetti, Campo Santo Stefano, Venezia
with Giandomenico Romanelli, Robert Storr, Bruno S. Frey, Ackbar Abbas, Anna Cestelli Guidi, Beatriz Colomina, Lynne Cooke, Jean-Hubert Martin, Angela Vettese, Daniel [...]]]></description>
		<link>http://anibellek.org/en/?p=678</link>
			</item>
	<item>
		<title>Networked Cultures</title>
		<description><![CDATA[Interview with Peter Moertenboeck and  Helge Mooshammer in Networked Cultures: Parallel Architectures and The Politics of Space, NAI Publishers, 2008.
PM/HM: İstanbul has become a very popular site in the recent discourse on contested urban spaces, particularly in the art world. When you curated the 9th International Istanbul Biennial together with Charles Esche in 2005, you [...]]]></description>
		<link>http://anibellek.org/en/?p=676</link>
			</item>
	<item>
		<title>Working Space</title>
		<description><![CDATA[Working Space
Catalog Text for Yildiz Technical University Faculty of Art and Design, 2006-2007 Student Projects Exhibition,  2007 at the Pera Museum.
An important aspect of the European Union acquis communautaire with regard to universities is the &#8220;Bologna Process.&#8221; The aim of Bologna is to condition universities to uniformity. It also facilitates transfers between schools and creates [...]]]></description>
		<link>http://anibellek.org/en/?p=674</link>
			</item>
	<item>
		<title>Notes on the Biennial</title>
		<description><![CDATA[SSamzie Space International lecture series
Shift and change: Locating Korean art now
Hunyee Jung, Vasıf Kortun, Wan-kyung Sung, Marc-Olivier Wahler, Seoul, 2008
Even though &#8220;the biennial&#8221; in hardly an isolated topic to write on, I will take a stab at it here in a succession of scattered notes and articulations.
I spoke recently of the demise of the biennials. [...]]]></description>
		<link>http://anibellek.org/en/?p=671</link>
			</item>
	<item>
		<title>Arts &amp; Culture and their Institutions in Turkey  in the last 25 Years, notes for navigation</title>
		<description><![CDATA[Unpublished
On September 12 1980, Turkey had the third coup d’état carried out by the Turkish Army. The ruled for three years.1 Turkey’s last dictatorship. The coup became the glue of the neoliberal economic policy for decades to come.2 Neoliberal globalisation caused a profound transformation of the field of art and culture along with their institutions [...]]]></description>
		<link>http://anibellek.org/en/?p=488</link>
			</item>
	<item>
		<title>Living with the Private Sector</title>
		<description><![CDATA[In Going public ’06 : atlante mediterraneo = mediterranean atlas / Edited by Claudia Zanfi, 2006
Some notes on “Péra” in Istanbul
Most of Istanbul&#8217;s art and cultural institutions are located on and around the avenue between Taksim and Tünel. The avenue&#8217;s original name was Grande Rue de Péra, later changed to &#8221;Avenue of independence&#8221; after the establishment [...]]]></description>
		<link>http://anibellek.org/en/?p=486</link>
			</item>
	<item>
		<title>A Foreigner A Traveller</title>
		<description><![CDATA[A Foreigner A Traveller
Vahap Avşar,
Gülsün Karamustafa,
Hale Tenger,
H.Alptekin/M.Morris,
Bedri Baykam,
Mehmet İleri
Stedelijk Museum, Schiedam, 1993
The exhibition offers neither an exotic taste, nor conforms to predispositions, but it may nevertheless give certain clues regarding where the works come from. The works offer neither a fluent international reading, nor display ‘fantasy-mythological’ roots. Away from provincialism and outside imagined centers, they [...]]]></description>
		<link>http://anibellek.org/en/?p=480</link>
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